nanowrimo.

Feb. 11th, 2013 04:59 pm
samschooler: (Default)
Lately, NaNoWriMo and I have a complicated relationship.

In 2010, I was entrenched in fandom, and when NaNo rolled around, I threw myself into the first original project that I had attempted since I was thirteen or so. I won NaNo – 50k and the solid first draft of a novel that still sits unfinished on my hard drive. But while I was writing that novel, I completely shut myself off. I ignored school, I ignored my job, and I cut myself off from both fandom and my girlfriend – now fiancée – because I had some tragic suffering-for-my-art image, and I was convinced that I could only focus on writing novels. Nothing else.

After my brief bout of insanity, I recovered, and now I happily manage to write books and still participate in fandom and, y'know, real life. Me circa NaNo 2010 was a scary me. I'm a better me now. A me more capable of doing what I want to do with my writing.

Even though my introduction to original fiction was rocky, I never quite let it go after NaNo 2010, and I gradually moved from fanfiction to writing original fiction full-time. So I have NaNo to thank for that. I also have NaNo to thank for finally convincing me that I am capable of writing something longer than 10k.

NaNo 2011 was much more relaxed and much more fun. Why? Because I didn't concentrate on winning. Instead of making my goal 50k, I made my goal a habitual one: I promised myself that I'd sit down and write every day. And I did! I think I finished that year with a little over 30k, most of it miscellaneous bits from stories I was working on at the time.

NaNo 2012 had an entirely different goal. I vowed that I would finish a draft of something and ready it for submission. I waited until the last minute, but I did what I said I would, and managed to double it. On December 1st, I sent out two manuscripts – one to Dreamspinner and one to Torquere. The one for Dreamspinner was rejected because, well. It was terrible, honestly. I didn't care about the characters. There was no reason to. But "Scented" was accepted, and thus NaNo 2012 was successful.

NaNo, up until NaNo 2012, was kind of a shining thing for me. I've met so many wonderful, amazing, creative people through NaNo. My regional group is awesome, and I love my MLs. We're a tight-knit bunch, all of us, and they make me want to come back every year.

During NaNo 2012, one of my friends linked me to a Tumblr that found the most ridiculous things from the NaNo forums and collected them. To my surprise, there was an entire section of the forums called "Dirty Tricks to Get to 50k."

I wish I'd never found that section.

The people in my region are like me: they do NaNo to create something. But the people in that section of the forums suggested things like, "Add all the adjectives you can," and, "Write arbitrary scenes," and, "Write a flashback every other scene," and, "Write chapter headers that are long, like Fall Out Boy song titles."

I'm not highbrow. I think anyone who wants to write should write, and they should do it however they want to. That forum blew me away. It made me wonder how many people do NaNo just for the chance to say that they won, rather than to learn something about writing or to expand their abilities. Or even purely for the sake of doing something! Instead of teaching themselves a thing or two by doing a challenging event and coming out of it bettered, all they wanted was to say, "I wrote 50,000 words in a month." I guess it doesn't matter to them that those words won't matter at all – and by matter, I don't mean that they don't matter in the sense that they won't be published. I mean that they don't matter in the sense that they'll be worthless. No writer will learn anything by writing shit that they know is shit, or by writing word count-padding scenes that are purely for later deletion.

I dunno, you guys. Knowing that that thread exists actually takes away from my own enjoyment of NaNoWriMo. For me, the point of NaNo is creation. When you're writing sentences like, "The petite blond girl rolled her emerald eyes and stomped her booted foot in heated anger," just to increase your word count, that's not creation – it's cheating yourself.

don't stop.

Feb. 9th, 2013 12:18 am
samschooler: (Default)
Pieces of writing-related advice from me, in no particular order:

1. Every story starts with a change.

2. If you don't feel anything for the piece you're working on, stop.

3. Money should flow the writer's way. Don't pay a publisher to get published. Avoid vanity publishing; you'll lose money and you'll look ridiculous.

4. Background information should be given in doses.

5. Work on something every day. Do the ass time. Sit there and work on something every single day.

6. Outlining isn't necessary, but it sure does help.

7. You will deviate from these outlines.

8. Writing isn't magical. It isn't whispered to you from on high. It takes work.

9. Read.

10. Read more.

11. If you like an author, send them a message. Follow their Twitter. Get to know them, if they're responsive.

12. Networking is good. Knowing people isn't selling out. Become friends with good authors who do good things and learn from them. Get to know people they know; work with publishers they work with.

13. On the flipside, if you're published and fans reach out to you, give them recognition. If someone likes your writing, take the time to talk to them. Tweeting back or emailing a fan can make their day. Simple things affect people. A fanbase will affect you.

14. Zombies.

15. Or the apocalypse.

16. Don't waste time on people who only talk about how good their writing is.

17. You'll never get out of Nebraska.

18. Don't be afraid of words. Say cunt. Say clit. Say cock. Say balls. Talk about the curve of someone's ass or the way their pubic hair curls or how dark their nipples are. If you're not a sex writer, then don't be afraid to talk about the ugly or embarrassing things. Let yourself write words that make you turn red, or that make you uncomfortable. Ugly details are part of life, and some characters dwell on those things. Writing shouldn't be solely about the pretty side.

19. Critique partners.

20. Try co-writing at least once.

21. Don't be afraid to change your style. Your writing will change over time. If it doesn't, you aren't open to learning. Stay open.

22. Don't avoid writing something because you don't think a publisher will want it. There is a publisher out there, somewhere, who will want it.

23. If you're planning on self-publishing, get a critique partner or four. Run it by a freelance editor. Be sure that you don't want to go the traditional publishing route. Be sure that it's ready to go to press.

24. Challenge yourself. Make yourself be better.

25. Have a writing space. It would be ideal if this space was not in your bedroom. Your brain designates certain places for certain things. Make yourself a creation space.

26. Don't worry if you work best when it's coming down to the wire. Lots of people do.

27. Don't worry.

28. Don't worry.

29. Everyone has doubts. Writers' opinions of their writing can change from minute to minute. Everyone thinks they're not good enough.

30. Signing a contract is the best feeling.

31. ... Second only to finishing edits.

32. ... Second only to finishing the book itself.

33. ... Second only to holding a copy of it for the first time and looking at your name on the cover.

34. A lot of things about writing feel amazing.

35. A lot of things about writing feel awful.

36. Petting animals makes everything better.

37. Make human contact every once in a while. Go for a walk. Order Chinese food. Breathe.

38. Breathe.

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